Recently, while in London, I took the opportunity to have a toot (as they say in Lancashire) at what had been Le Caprice restaurant in Arlington Street. It was a sad sight and I wish I hadn’t done it. A place that generated so many happy memories was now just a shell of what it had once been. I wrote about the demise of Caprice here, so I don’t intend to bleat on about it again now.



Part of the reason for being in London that day was to see what Jesus Ardono and his team were now doing for Rocco Forte, in Brown’s Hotel in Mayair. The flagship restaurant in Brown’s is Charlie’s and in appearance it’s the antithesis of Le Caprice, against which I was inevitably comparing it. Caprice was designed on a monochrome palette whereas Charlies’ is a riot of colour with decoration, in what I can only describe as ‘jungle’ style. The room is large and at first glance seems more formal. The design was the work of Olga Polizzi, daughter of the later Sir Charles Forte after whom the restaurant is named. Olga is Director of Design for Rocco Forte Hotels. Personally I find she often takes good ideas a little too far. The plates in Charlie’s seem not to show off the food to best advantage and are too busy. Give me a round white plate any day.


Immediately on arrival in the dining room there was a huge wave from Jesus from across the bar area and a very welcome surprise as Paul Stabbins, who had looked after us so well on many visits to Caprice, crept up behind us to give us a very warm welcoming hug. Immediately I felt at ease and gained certainty that the spirit of Caprice was alive and well and would soon dominate Charlie’s. With these two, front of house, I’m certain that the journey to create something special is being driven forwards with gentle determination and a sense of generous hospitality.
Jesus offered us a choice of tables, both in prime position at the end of the room. He was particularly proud of his decision to install semi-circular banquettes at some of the tabs around the perimeter of the dining room and so we chose one of those, a great spot, he said, for people watching.
The menu is fairly classic with modern twists and the kitchens are led by chef Adam Byatt (of Trinity in Clapham). I was pleased to see that some Caprice classics had made the move to Mayfair and sit alongside the carve-at-the-table roast meat trolley.
I had Omelette Arnold Bennett with English Lobster to start, followed by Chicken Kyiv the price of each one sold being donated to the British Red Cross to help Ukrainians displaced by the current Russian war of aggression. Both dishes were enjoyable and well prepared but I would have liked my Kyiv to have given up more unctuous butter when I cut into it. Next visit I’ll try the Calves Liver and Bacon which is always a good litmus test



The hospitality industry has taken big hit because of the Covid Pandemic with many good staff leaving the industry for more flexible and better paid jobs. Recruiting, training and retaining front of house staff, even in the best restaurants must be very challenging at the moment. Charlie’s has a little way to go to before it delivers the über efficient, yet friendly and appropriately infomal service we saw at Caprice. I’m confident that they will get there though and will certainly go again next time I’m in London to see how things are progressing. In the meantime, I wish Jesus, Paul and their team ‘in bocca al lupo”. See you soon my friends!







t I return to time after time, or would if I could, so I suppose they could in some way be classed as favourites. The first of those is a restaurant in London where I first went 15 years or more ago.
the years I’ve eaten in one or two of Rome’s ‘best’ restaurants but have always, in some way, left feeling disappointed because they never quite lived up to my high expectations. The higher the price the higher the expectation is my thought.